Thursday, March 16 at 5.00 p.m. Museo do Pobo Galego (Ala Sur)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2022 I 64′ I Rusia
[Premiere in Spain]
Director: Vladimir Krivov
Screenwriter: Svetlana Kosinets
Edition: Vladimir Krivov
Cinematography: Alexander Kiper, Alexander Menshov, Vasily Ivashentsev, Vyacheslav Vdovki, Denis Melnikov, Damir Abdrakhmanov
Sound: Alkhas Tvanba, Dmitry Kislov, Dmitry Lukashev
Music: Rauf & Faik
The Detached is a monologue of one Chukchi man and of the whole ethnic group at the same time. It’s a story of their life, Motherland, and also of the things that cause the Chukchi to break away from their roots. This film is a possible projection of our future, as by choosing the blessings of civilization, we risk losing ourselves. Is there a way to get out of the “blizzard”? It seems that the Chukchi know the answer…
Thursday, March 16 at 7.00 p.m. Museo do Pobo Galego (Ala Sur)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2022 | 62′ | Mexico
[Premiere in Europe]
Director: Luis Lazalde
Guión: Amelia Correa, Luis Lazalde
Edición: Jacobo del Castillo
Fotografia: Luís Lazalde
Son: Jacobo del Castillo, Gabriel Coll Barberis
Música: Canek Goded
A Mennonite community of European origin, established in northern Mexico, sees its ancestral traditions threatened: religion, way of life, habitat, language and clothing, due to the temptation to progress and new religious ideas.
I NOSTRI GIORNI
Thursday, March 16 at 5.00 p.m. Museo do Pobo (Auditorium)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2022 I 72′ I Argentina
[Premiere in Europe]
Director: Gisela Peláez
Screenwriter: Paula Barbetti, Gisela Peláez
Edition: Gisela Peláez, Luciano Sosa
Cinematography: Gisela Peláez
Sound: Francisco Pedemonte
On a journey through the corners of big cities like Milan, Napoli or Venezia, and small towns like Erice or Matera, the gaze stops at the intimacy of family industries, luxury ateliers, shops, cooperatives and recovered factories; in the “one by one” meeting of women and men who work, with the matter they transform. The magical and ancestral moment of creating something new is portrayed among with the devotion and agony of a working class who loves, suffers and continues to fight.
AYLESBURY ESTATE
Thursday, March 16 at 7.00 p.m. Museo do Pobo Galego (Auditorium)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2022 I 90′ I Italia
Director: Carlotta Berti
Edition: Carlotta Berti
Cinematography: Michelangelo Ferrara
Sound: Intricate Sound
Music: Julia Zuzanna Sokolowska, Alexandria Mueller, Luna Pan, Sandrine Rudaz, Victoria Beits
In a boundless social housing estate built on Victorian ruins, a lonely ex-demolition worker and his neighbours must face the destruction of their homes to make space for luxury apartments. Shot over years with unprecedented access to the biggest “brutalist” social housing estate in the UK, Aylesbury Estate offers an intimate exploration of inhabitancy and loss, and the raw testimony of an irreversible social transformation of British society.
PORTE DE CLICHY
Friday, March 17 at 5.00 p.m. Museo do Pobo Galego (Auditorium)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2021 I 77′ I Francia
[Premiere in Europe]
Director: Sébastien Marziniak
Edition: Lou Vercelletto
Cinematography: Sébastien Marziniak
Sound: Martin Delzescaux, Mederic Corroyer
Music: Hélène Vogelsinger
For several years, the Porte de Clichy, a district on the outskirts of Paris, has experienced an unprecedented urban metamorphosis, culminating in the arrival of the new Tribunal de Paris, a 160-meter tower, the work of Renzo Piano. Within this rapidly changing district, we discover moments of life of several inhabitants. Their stories, caught within this urban vice, are intimate but bring out common issues that take turns and respond to each other. It is about moving, social loneliness, justice, and town planning. It is by crossing these personal moments and inserting them into a larger story, within the same territory, that they take on their full significance, drawing the implicit portrait of a district, of an era.
LA PRIMERA PUERTA
Saturday, March 18 at 5 p.m. Museo do Pobo (Auditorium)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2021 I 63′ I Ecuador
Director and screenwriter: Colectivo Súper Cuy
Edition: Matteo Rubbettino
Cinematography: Didac Saez
Sound and music: Matteo Rubbettino
The film shows the town of Nabón for 63 minutes, where peasant families still live who “embrace good living, a philosophy without philosophers that speaks to us of the harmonious relationship with nature and the community.” The film presents Narcisa, a woman who resists in the land of her parents, while she sees how her children are forced to migrate.
TOLYATTI ADRIFT
Saturday, March 18 at 7.00 p.m. Museo do Pobo Galego (Ala Sur)
Tickets: vivetix Museo do Pobo Galego and the day of the projection from an hour before in the reception of the Museo.
2022 I 70′ I Spain
[Premiere in Europe]
Screenwriter: Laura Sisteró
Cinematography: A. Pol Camprubí
Edition: Alissa Doubrovitskaia, Ariadna Ribas, Laura Sisteró
Music: Josep Comas
Sound: Gerard Tàrrega Amorós, Jordi Ribas
Tolyatti, a former symbol of socialist pride, is today the Russian Detroit. In this hopeless environment, Boyevaya Klassika arises, a movement that rescues old and iconic Lada cars from the local factory to turn them into a means of rebellion and expression that explores the conflicts and dreams of youth in one of the poorest cities in Russia. We follow Slava, Misha and Lera in the year in which they have to face adulthood for the first time in a place where there seems to be no future.