International

TOGOLAND PROJECTIONS

WEDNESDAY, MARCH 12, 6.30 P.M. MUSEO DO POBO GALEGO (AUDITORIUM)

Tickets: Vivetix and the day of the projection from an hour before in the reception of the Museo.

Jürgen Ellinghaus

France / Germany / Togo, 2023

95 min. OVSGAL

[Premiere in Galicia]

Togoland Projections takes us to the territory of Togo, the former German colony. We follow the film expedition of the director Hans Schomburgk, who shot documentary and adventure films there from 1913 to 1914. We show his films to today’s Togolese public to question the film images, their historical background and the effects of colonialism. What do they show and what do they conceal about “Togoland”, which at the time was considered the “model colony” of the German Empire?

Trailer – Togoland Projections

KONGO

THURSDAY, MARCH 13, 6.30 P.M. MUSEO DO POBO GALEGO (AUDITORIUM)

Tickets: Vivetix and the day of the projection from an hour before in the reception of the Museo.

Daiana Araujo

Cuba, 2024

28 min. OV

[Premiere in Spain]

Through transculturation, negritude had its recognition due to its extensive religious legacy, which played a key role in defining the identity of who the Cuban became. The Kongo ethnic group is one of the ethnicities Palo Monte descend from, and at the same time, Congo is their language. In an unconventional way, we immerse ourselves in the syncretic ritual of a paleros family and we take part in it. What is it to be Cuban?

CUERPOS EN TRÁNSITO

THURSDAY, MARCH 13, 6.30 P.M. MUSEO DO POBO GALEGO (AUDITORIUM)

Tickets: Vivetix and the day of the projection from an hour before in the reception of the Museo.

Mario Moreno Iglesias

Spain, 2024

26 min. OV

[Premiere in Galicia]

Three traditional festivities located in rural territories of the province of Cáceres (Spain) are the chosen setting to observe processes of expression and reconstruction of masculinities projected around Iberian festive rituals. Masculinity manifested through bodily resistance as an attribute that strengthens the stereotypical conception of the masculine is intertwined with other forms of expression marked by caring relationships between men and a significant sensitivity produced in a context of popular religiosity.

SILENCE OF REASON

THURSDAY, MARCH 13, 7.30 P.M. MUSEO DO POBO GALEGO (AUDITORIUM)

Tickets: Vivetix and the day of the projection from an hour before in the reception of the Museo.

Kumjana Novakova

North Macedonia / Bosnia and Herzegovina, 2023

63 min. OVSGAL

[Premiere in Galicia]

Built solely with archive and testimonies, Silence of Reason acts as a memory in itself through the unique violence and torture experienced by women in the FoCa rape camps during the war in Bosnia and Herzegovina. This forensic audiovisual essay is constructed as a performative research into the first International Criminal Tribunal case to condemn war-time rape as a form of torture, and sexual slavery as a crime against humanity.

Trailer – Silence of Reason

LE BOXEUR CHANCELANT

FRIDAY, MARCH 14, 6.30 P.M. MUSEO DO POBO GALEGO (AUDITORIUM)

Tickets: Vivetix and the day of the projection from an hour before in the reception of the Museo.

Thivolle Lo

France, 2024

63 min. OVSGAL

[Premiere in Spain]

Filmed in the port and industrial area of Port-de-Bouc, Le Boxeur chancelant follows Lo, a fifty-year-old anthropologist and filmmaker who longs for boxing and producing a film about boxing. He joins a local academy and his teacher is Dany, a trainer with a degenerative disease whose greatest ambition is to find love.

Trailer – Le Boxeur Chancelant

TÃO PEQUENINAS, TINHAM O AR DE SEREM JÁ CRESCIDAS

FRIDAY, MARCH 14, 8.30 P.M. TEATRO PRINCIPAL

Tickets: in the Zone C (Cultural Information Point), and in the Teatro Principal the day of the projection from an hour before.

Tânia Dinis

Portugal, 2024

20 min. OVSES

Tão pequeninas, tinham o ar de serem já crescidas combines fictional and documentary treatment. The piece uses photographic archives, real images and the oral testimony of several women from the regions of Trás-os-Montes, Beira, Alto and Baixo Minho. Between the 1940s and 1970s, these women came to the city of Porto to work as domestic servants.

Trailer – Tão pequeninas, tinham o ar de serem já crescidas

A S´ORGOLESA

SATURDAY, MARCH 15, 6.30 P.M. MUSEO DO POBO GALEGO (AUDITORIUM)

Tickets: Vivetix and the day of the projection from an hour before in the reception of the Museo.

Davide Melis

Italy, 2024

89 min. OVSGAL

[Premiere in Spain]

A s’Orgolesa recounts a year in Orgosolo with a narrative structure that alternates dialogue parts and “Canti a Tenore”. The chants, the authentic matrix of the piece and the main element of the story, weave the testimonies of a community that, proud of its origins and its past, nowadays is facing a present in continuous transformation. “Canto a Tenore” does not become a mere celebration of a past already gone, but a faithful poetic transposition of social themes particularly alive within the community.

A SAVANA E A MONTANHA

SATURDAY, MARCH 15, 7.00 P.M. TEATRO PRINCIPAL

Tickets: in the Zone C (Cultural Information Point), and in the Teatro Principal the day of the projection from an hour before.

Paulo Carneiro

Portugal / Uruguay, 2024

77 min. OVS

The community of Covas do Barroso, in northern Portugal, discovers that the British company Savannah Resources plans to build the largest open-pit lithium mine in Europe, just a few meters away from their homes. Confronted by this imminent threat, the people decide to organize themselves and expel the company from their lands.

Trailer – A Savana e a Montanha

EROS

SATURDAY, MARCH 15, 9.30 P.M. TEATRO PRINCIPAL

Tickets: in the Zone C (Cultural Information Point), and in the Teatro Principal the day of the projection from an hour before.

Rachel Daisy Ellis

Brazil, 2024

107 min. OVSGAL

[Premiere in Spain]

Brazil’s love motels are a haven where fantasy becomes reality. When the filmmaker’s own date never shows up, she gets a fresh idea for a film instead. Through personal and sometimes quite explicit footage filmed by the participants themselves, Eros presents the unique and singular ways in which people conduct their intimate and romantic relationships and how these behaviours reflect social norms and other broader realities. The result is a kaleidoscopic insight into a parallel world of human desire.